slide film is love, pt. 2

Every autumn brings a sudden desire to load my camera with slide film; and with every roll, the inevitable magic happens. I shot these along Peggy’s residence project; and as usual, those few snaps carry memories that will stay with me for the lifetime. I don’t know if slide film is the cause or result of magic.. but it always accompanies it.


Emotional attachment to a specific medium is a peculiar thing. I routinely burn through dozens of Ilford HP5+ rolls; doing everyday snaps in black&white feels like my second nature. Color negatives elicit even less emotional response – I just fire and forget them. But slide film.. it’s different. Comparing slide film to black and white is like putting a honeymoon against a grocery trip. They don’t deserve to be compared.


The hardest part of shooting slide film isn’t the steep price of film & processing… it’s knowing just how much those photos will mean to me.

It’s responsibility.

alternate childhood, pt. 2

I’ve come to a peaceful conclusion that photography is essential for me. I need it to form memories. Aside from a few boundary experiences, I don’t just forget; I fail to remember.

Enter photography.

I need to shoot more. Develop more. Whenever the dreaded feeling of emptiness and worthlessness comes, I need to shoot more. Develop more. Explore the treasures of that little box where I store undeveloped film… a box that’s always overflowing, always storing fragile memories.

If not for photography, I’d probably have little to live for.

neighbourhood artists

We decided to wake up the neighbourhood. A slightly disturbing performance turned into a puzzling exhibition turned into a lazy afternoon turned into a psychedelic evening turned into a fiery romance turned into a story to tell at night.

[Seemingly, everything we do is a catalyst for everything else we do; every party, exhibition and meeting of minds is a cauldron where we do nothing but make more cauldrons.]

Łódź